This somewhat anecdotal account has been pieced together from several popular biographies and accounts of the period. For more on audience reaction to the film see Stempel (, pp. The Ten Commandments took $34 million in domestic rentals, which made it the highest grossing film of all time until the release of Ben‐Hur in 1959 (Finler, p. 358). Melani McAlister () has shown how the film fits into broader public debate about the 1956 Suez Crisis. Sumiko Higashi () has attributed its peculiar cultural resonance in the USA to an annual Easter telecast of the film which has become an American tradition.
In inflation adjusted figures DeMille's film is the fifth highest grossing of all time (). Six of these epics received the Best Picture Oscar ( The Last of the Mohicans was the exception).
See Vivian Sobchack's comments that the Hollywood historical epic is ‘prereflective, popular and undisciplined’ and thus ‘hardly subtle or substantial enough to invite much in the way of semiological and cultural analysis' (1995, p. 282).Įpics produced since 1990 include Dances With Wolves (Kevin Costner, 1990), The Last of the Mohicans (Michael Mann, 1992), Schindler' s List (Steven Spielberg, 1993), Braveheart (Mel Gibson, 1995), The English Patient (Anthony Minghella, 1995), Titanic and even Forrest Gump (Robert Zemeckis, 1994). It is perhaps worth noting that this paper stems out of my forthcoming PhD thesis which looks at the revival of the historical epic in the 1990s. This is visible in the actual reception of the film by the trade press, who viewed the film as a surprising, but much needed hit. Subsequently all of Spielberg's films have been either produced or co‐produced by DreamWorks. Spielberg has only taken up this opportunity once, to direct Jurassic Park: The Lost World (1997), a project to which he had committed before DreamWorks released its first films. In the early 1980s it was widely claimed that Spielberg had interfered too much in the production of Poltergeist (Tobe Hooper, 1982), and been too distant during the production of Twilight Zone-The Movie (John Landis, Joe Dante, George Miller and Steven Spielberg, 1983).
There had, however, been problematic aspects here as well. Without Paulie, DreamWorks releases cost $305 million before marketing costs are factored in (see ). The Internet Movie Database gives budgetary data for all of DreamWorks first nine releases except Paulie (John Roberts, 1998). Finler remarks that ‘five of the original eight Hollywood majors continue to be leading players in the new millennium’ (2003, p. 1). As a descriptive term it remains in use in the trade press (see Fabrikant & Lyman 25 Sep. The moniker of ‘Dream Team’ seems to have informed the naming of the studio, which was made public shortly after the October press conference. Although it may be semantically inappropriate, it is the way in which the industry refers to these companies, and therefore it is eminently appropriate to use it in this context. When referring to DreamWorks, I take it to mean ‘financier‐distributor’-which is the defining business of the major film ‘studios’. Ayo Nonton Film Online Bioskop Online Nonton Movie.ĭRAMA21.ICU area Bioskop Keren layar Kaca 21 Nonton Drama Korea Movie Ganool Streaming Film Cinemaindo gambar hidup Online Lk21 Indoxxi Dunia21 GudangMovies21.‘Studio’ is clearly a complicated term. LAYARKACA21, NONTONGO, CINEMAINDO, CGVBLITZ, BLITZMEGAPLEX, TVSERIES, DEWANONTON, FILM KOBOY, DEWAMOVIE, DRAMA KOREA, FILM PERANG, BIOSKOP168, JURAGAN21, NETFLIX. Tersedia berbagai film top imdb dan film paling booming di dunia.
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